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韻花園
2012 屏東演藝廳 在「韻花園中」，一個個代表音階唱名的文字符號， 在五線譜中浪漫有序，組成了曼妙的樂曲， 如同一株株盛開的花朵，充滿香氣、充滿旋律。 在演藝廳入口，七支外觀規律中帶有鏤空變化的立柱，如同樂譜中之五線譜產生向上揚昇的視覺效果；而柔軟的金屬板片構成音階唱名「Do、Re、Mi、Fa、Sol、La、Si」的文字造形，從立柱間的鏤空間隙觀之，作品的柔軟浪漫與建築的理性有序，相互交錯重疊成充滿美麗光影變化的五線譜；立柱並與台灣傳統樂器─「銅鑼」立於廣場前，兩相輝映，相互對話，不僅提供觀賞者在視覺上的饗宴，也與作品直接產生音樂律動的互動關係。 |
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Garden of Melody
2012 Pingtung Performing Arts Center
Pintung, Taiwan
In “Garden of Melody”, the character symbols represent the solfege syllables of different notes creating a romantic flow on the musical scale into enticing music,
just like flowers in full bloom, brimming with fragrance and melody.
At the entrance of the concert hall, seven pillars with identical exterior design and varying fretworks have been erected, creating a visual effect that is akin to the rising notes on a musical scale; the soft metallic plates have been processed to form the solfege syllables (Do, Re, Mi, Fa, Sol, La and Si) of different pitches. Viewing the work through the hollowed out spaces in the pillars, the soft and romantic qualities of the work and the traits of rationality and order that are commonly associated with architecture cross over seamlessly into a staff that dazzles with changing lights. The pillars and the brass gong (a traditional musical instrument of Taiwan) erected at the open square make a perfect pair in a dialog of music by offering an interesting visual presentation to the viewers while creating a direct relationship of musical interaction.
2012 Pingtung Performing Arts Center
Pintung, Taiwan
In “Garden of Melody”, the character symbols represent the solfege syllables of different notes creating a romantic flow on the musical scale into enticing music,
just like flowers in full bloom, brimming with fragrance and melody.
At the entrance of the concert hall, seven pillars with identical exterior design and varying fretworks have been erected, creating a visual effect that is akin to the rising notes on a musical scale; the soft metallic plates have been processed to form the solfege syllables (Do, Re, Mi, Fa, Sol, La and Si) of different pitches. Viewing the work through the hollowed out spaces in the pillars, the soft and romantic qualities of the work and the traits of rationality and order that are commonly associated with architecture cross over seamlessly into a staff that dazzles with changing lights. The pillars and the brass gong (a traditional musical instrument of Taiwan) erected at the open square make a perfect pair in a dialog of music by offering an interesting visual presentation to the viewers while creating a direct relationship of musical interaction.